{"id":5654,"date":"2025-10-03T20:05:45","date_gmt":"2025-10-03T23:05:45","guid":{"rendered":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/7\/?page_id=5654"},"modified":"2025-10-16T07:30:31","modified_gmt":"2025-10-16T10:30:31","slug":"acknowledgments-credits","status":"publish","type":"page","link":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/7\/acknowledgments-credits\/?lang=en","title":{"rendered":"Acknowledgments & Credits"},"content":{"rendered":"\n
\"\"
Cesar Oiticica Filho. \u201cAwakening Guanabara.\u201d Visual essay in collaboration with Iazana Guizzo, 2025<\/figcaption><\/figure>\n\n\n\n

Acknowledgments and Credits<\/strong><\/h2>\n\n\n\n

<\/p>\n\n\n\n

We are immensely grateful to all of this issue\u2019s contributors for their collaboration, commitment, conversations and exchanges, many of which have taken place over several years, reinforcing the importance of another capital\u2014 of time, affection, dedication, and community \u2013 that has been absolutely key to making this issue possible.<\/p>\n\n\n\n

Artist residents:<\/strong>
This edition introduced a new editorial approach featuring three resident artists\/co-editors, as a means of developing contributions in a more organic, poetic, and unique way. We are deeply grateful to Grande Companhia Brasileira de Myst\u00e9rios e Novidades (especially L\u00edgia Veiga and Mar\u00edlia Felipe), Jorge Menna Barreto, and Susan Thomson for engaging with us and sharing their work and research-in-process.<\/p>\n\n\n\n

A gift along the way:<\/strong>
We are also grateful to M\u00f4nica Hoff for conversations in the early stages of this issue\u2019s development.<\/p>\n\n\n\n

Authors:<\/strong>
Special thanks to all the authors for their contributions: Alice Poppe, Ana Luiza Nobre, Anna Carolina Vicentini Zacharias, Beatriz Virg\u00ednia Gomes Belmiro, Carla Santana, Caroline Valansi, Cesar Oiticica Filho, Diana Kolker, Iazana Guizzo, Jialu Pombo, Jo\u00e3o Paulo Tukano, Juan L\u00f3pez Intz\u00edn, Kimberly Veiga, Lucas Van de Beuque, Melanie Mozzer, Monica Hoff, Natasha Felix, Sandra Benites, Sara Ramos, Savio Ribeiro, Suellen Cloud, Tania Rivera and Tato Taborda.<\/p>\n\n\n\n

Collaborators together with the artist residents:
<\/strong>For their participation and collaboration: Ana Paula Dias, Anna Dantes, Bruno Bonaventure for Sound Design, Carlos Santos, Cristina Basilio Thomas, Diosmar Filho, Elan Barreto, Fabio Scarano, Guar\u00e1 do Vale, Isabella Moriconi, Joe Buggilla, Karina S\u00e9rgio Gomes, Karen Eppinghaus, Lelena Anhaia, Mother Sara, Mika Peck, Mila Costa, Omb\u00e1 Y\u00ee\u00e0r\u00e1, Rafael Rodriguez, Rodolfo Rizzo and Ma\u00e7\u00e3 Verde Filmes, Sophia Faustino, Yuri Ramundo.<\/p>\n\n\n\n

Partner institutions and collaborating organizations<\/strong>:
Special thanks to Casa Resist\u00eancias, especially to Beatriz Virg\u00ednia Gomes Belmiro and Kimberly Veiga for their text, Bia Ardura and Dayanna Gusm\u00e3o for the initial conversations, and to Susan Thomson for the spark. The partnership was also built with photography NGO Imagens do Povo. We are extremely grateful to them, to Suellen Cloud for her photography, and to Erika Tambke.<\/p>\n\n\n\n

In addition to thanking the Companhia de Myst\u00e9rios e Novidades, we are also especially grateful to Iazana Guizzo and Floresta Cidade (Research and Extension Project of the Department of Architecture and Urbanism at UFRJ).<\/p>\n\n\n\n

Several of the magazine’s contents were initiated as programs and open classes of the Graduate Program in Contemporary Studies of the Arts (PPGCA\/UFF). Special thanks to participants and the program for their collaboration.<\/p>\n\n\n\n

Photographers\/artists\/individuals\/organizations for facilitating access and\/or providing images and\/or other audiovisual content<\/strong>:
For their help in facilitating access and\/or providing permission to publish images and\/or other audiovisual content we are indebted to: Adriana Krohling Kunsch; Alexandra Pessoa; Aza Cosmosopa; Amaz\u00f4nia Real; Iyaleta Research Association;Ax\u00e9 Boneke; Betty Pereira; UNESCO Library; Camila Freitas; Carlos M. Teixeira; Cei\u00e7a Ferreira; Company of Mysteries and Novelties; D\u00e9bora Oelsner Lopes; Denilson Baniwa; Ecoforensic; Estudio Vazio; Mari Muri; Diana Taylor; Gabi Bandeira; Gabriella Marinho; George Branco; Guar\u00e1 do Vale; Iep\u00e9 Institute ; Jefferson Medeiros; Jhony Aguiar; Jo\u00e3o Paulo Ovidio; Leonardo Viana Braga; Luan Citel and; Maria das Gra\u00e7as Garcia Bueno Dragus; Mariana Berta; Maur\u00edcio Loren\u00e7o; Nelson Maca; Pedro Leal; S\u00e3o Paulo Art Gallery; Body, Gesture, Affection Project; Levi Fanan; Black Backlands; Thais Aquino; Vitor Szpiz and Ximenne Freitas .<\/p>\n\n\n\n

Editorial and production:<\/strong>
Special thanks to:<\/p>\n\n\n\n

JP Studio digital for building the magazine’s website, support and collaboration, especially to Richardy Jacques and Giovani Poleto.<\/p>\n\n\n\n

Luisa Caron, for her thoughtful and careful copy-editing over the last few months.<\/p>\n\n\n\n

Domi Valansi for press and communication strategies.<\/p>\n\n\n\n

For their support:<\/strong>
British Council, for supporting Susan Thomson’s residency through its Plural Programme and, in particular, to Effie Vourakis and Cristina Becker.<\/p>\n\n\n\n

The Office of Research, at the University of California, Santa Cruz (UCSC), which was fundamental to the realization of Jorge Menna Barreto’s project.<\/p>\n\n\n\n

The Federal Government, Ministry of Culture, Government of the State of Rio de Janeiro, State Secretariat for Culture and Creative Economy, through the Aldir Blanc National Policy.<\/p>\n\n\n\n

Credits<\/strong><\/p>\n\n\n\n

Editors: 7th issue<\/strong>
Jessica Gogan
Luiz Guilherme Vergara<\/p>\n\n\n\n

General Coordinator<\/strong>
Jessica Gogan<\/p>\n\n\n\n

Executive producer<\/strong>
Sabrina Curi<\/p>\n\n\n\n

Website Design<\/strong>
Monochrome
Criamente (6th Edition)
JP Studio Digital (7th edition)<\/p>\n\n\n\n

MESA Visual Identity<\/strong>
Dupla Design<\/p>\n\n\n\n

Communication Assistant<\/strong>
Domi Valansi<\/p>\n\n\n\n

Copy editing<\/strong>
Luisa Caron (Portuguese)<\/p>\n\n\n\n

Translation<\/strong>
(Portuguese \u2013 English) Jessica Gogan<\/p>\n\n\n\n

ISSN: 2319-0264<\/p>\n\n\n\n

Rotating Cover Images<\/strong>
Jorge Menna Barreto and Pedro Leal. Dry Eye<\/em>, 2022. Photo.
Aza Cosmosopa. Macromicra<\/em>, 2022. Drawing.
Carla Santana. Series: Everything is seen on the path<\/em>, 2023. Clay and natural pigments on canvas, 80 x 80 cm.
Karen Eppinghaus. Companhia de Myst\u00e9rios e Novidades, Alto do Belo Amor, <\/em>2024, Photo.
Susan Thomson, dir. Tybyra and the Harlequin, <\/em>2022. Frame.
Lucas Van de Beuque. \u201cZ\u00e9 Bezerra in the Catimbau Valley, Pernambuco\u201d, 2024. Photo.
Camila Freitas dir. Ch\u00e3o<\/em>, 2021. Frame.
Cesar Oiticica Filho. \u201cAwake with Guanabara.\u201d Collaboration with Iazana Guizzo, 2025. Photo.
Jialu Pombo. A nameless creature embodying experience faces the earth<\/em>. Collage, 2025.
Suellen Cloud. Opening celebration of the new Casa Resist\u00eancias, 2024. Photo.<\/p>\n\n\n\n

Images\/photos\/works\/video<\/strong>
Royal Amazon; Aza Cosmosopa; Ax\u00e9 Bonekey; Betty Pereira; Camila Freitas; Carlos M. Teixeira; Denilson Baniwa; Diana Taylor; Gabriella Marinho; George Branco; Guar\u00e1 do Vale; Jefferson Medeiros; Jessica Gogan; Jhony Aguiar; Jo\u00e3o Cabral de Melo Neto (through Maria das Gra\u00e7as Garcia Bueno Dragus); Jorge Menna Barreto; Karen Eppinghaus; Isabella Moriconi; Leonardo Viana Braga; Luan Citele; Mariana Berta; Mari Muri; Pedro Leal; Levi Fanan; Body, Gesture, Affection Project; Rafael Rodriguez; Unesco Courier Magazine (photos: Maurizio Buscarino\/Courtesy of the Unesco Library; Susan Thomson; Thais Aquino; Vitor Szpiz and Ximenne Freitas.<\/p>\n\n\n\n

Editorial and production mini-bios<\/strong><\/p>\n\n\n\n

Jessica Gogan <\/strong>is a researcher, writer, translator, and director of the MESA Institute and editor-in-chief of Mesa<\/em>. She holds a PhD in Art History (2016) and is a research fellow in the Graduate Program in Contemporary Art Studies at the Fluminense Federal University (UFF), where she also completed postdoctoral studies (2018\u20132023). She researches and works at the intersections of artistic, clinical, and pedagogical practices. Other editorial highlights include: Domingos da cria\u00e7\u00e3o: Uma cole\u00e7\u00e3o po\u00e9tica do experimental na arte e educa\u00e7\u00e3o <\/em>(2017) in collaboration with Frederico Morais, and Eu n\u00e3o sei o que dizer mas desejo profundamente que voc\u00ea me escute <\/em>(2024).<\/p>\n\n\n\n

Luiz Guilherme Vergara <\/strong>is an associate professor in the Art Department and a member of the Graduate Program in Contemporary Studies in the Arts at the Fluminense Federal University (PPGCA\/UFF). He is co-founder of Mesa Institute. Previously he was coordinator of the undergraduate Arts program (2019\u20132024) and director of the Museum of Contemporary Art (MAC) in Niter\u00f3i from 2005\u20132008 and 2013\u20132016. He coordinates the research group (CNPq) ynterfluxes<\/em> contempor\u00e2neas: Arte Comunidade e Natureza (Art, Community, and Nature).<\/p>\n\n\n\n

Sabrina Curi <\/strong>is co-founder and general coordinator of the Mesa Institute. She graduated in cultural production from UFF in 2002 and served as Development Director of MAC Niter\u00f3i (2013\u20132017). She is also the executive producer of Mesa <\/em>(2010\u20132025) and of the publication Domingos da Cria\u00e7\u00e3o: uma cole\u00e7\u00e3o po\u00e9tica do experimenta na arte e educa\u00e7\u00e3o <\/em>(2017). Other notable projects include managing the Experimental Center for Education and Art at the MAM\u2013RJ (2009\u20132013), producing the educational project H\u00e9lio Oiticica \u2013 \u201cMuseum is the World\u201d (Pa\u00e7o Imperial\/Casa Fran\u00e7a Brasil, 2010), and the project Publicness in Art (2013\u20132014 Funarte Award), among other Mesa Institute projects.<\/p>\n\n\n\n

Revision
Luisa Caron <\/strong>is a copy editor. She holds a degree in Portuguese from the University of S\u00e3o Paulo (USP) and a Master’s degree in Literature from the Fluminense Federal University (UFF). She works for a variety of companies and institutions, including MASP, SESI Lab, the Vladimir Herzog Institute, SOF, and Expomus. She is also pursuing a degree in Dance at the Federal University of Rio de Janeiro (UFRJ) and works as a production assistant on cultural projects, primarily focused on promoting literature, and as a communicator for the cultural initiative Escola da Palavra.<\/p>\n\n\n\n

Communication
Domi Valansi <\/strong>is a journalist, writer, and social media expert. She works in digital communications for ArtRio and the Rio Film Festival. She has worked in communications for MAM Rio, Rio2C, the City History Museum, the Brazilian Historical and Geographical Institute, Rio Mem\u00f3rias, FGV Arte, and Solar de Grandjean de Montigny, among others. She curated both editions of NFT.Rio. She has been the Brazilian ambassador for the international event Museum Week since 2022. She specializes in photography as a tool for social sciences and in exhibition planning and production. She is featured in the collection “50 Contemporary Neo-Latin Writers,” published by Philos.<\/p>\n\n\n\n

Organization<\/strong>: Mesa Institute<\/p>\n\n\n\n

Support<\/strong>: British Council, Office of Research at the University of California, Santa Cruz (UCSC).<\/p>\n\n\n\n

Partnerships<\/strong>: Casa Resist\u00eancias, Companhia de Myst\u00e9rios e Novidades, Floresta Cidade (UFRJ), Imagens do Povo, Postgraduate Program in Contemporary Studies of the Arts (PPGCA\/UFF).<\/p>\n\n\n\n

Realization<\/strong>: Federal Government, Ministry of Culture, Government of the State of Rio de Janeiro, State Secretariat of Culture and Creative Economy, through the Aldir Blanc National Policy.<\/p>\n\n\n\n

Copyright<\/strong><\/p>\n\n\n\n

The content of these articles is the sole responsibility of the authors. Reproduction, in whole or in part, is prohibited without prior authorization. All rights reserved.<\/p>\n\n\n\n

Copying or reproducing, in whole or in part, images and videos is prohibited without prior authorization from the authors.<\/p>\n\n\n\n

The Instituto Media\u00e7\u00e3o Encontro Sociedade e Arte \u2013 Mesa has made every effort to identify and license the photographs published in this magazine. If you have any questions, corrections, or clarifications, please contact institutomesa@gmail.com.<\/p>\n","protected":false},"excerpt":{"rendered":"

Acknowledgments and Credits We are immensely grateful to all of this issue\u2019s contributors for their collaboration, commitment, conversations and exchanges, many of which have taken place over several years, reinforcing […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/7\/wp-json\/wp\/v2\/pages\/5654\/?lang=en"}],"collection":[{"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/7\/wp-json\/wp\/v2\/pages\/?lang=en"}],"about":[{"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/7\/wp-json\/wp\/v2\/types\/page\/?lang=en"}],"author":[{"embeddable":true,"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/7\/wp-json\/wp\/v2\/users\/1\/?lang=en"}],"replies":[{"embeddable":true,"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/7\/wp-json\/wp\/v2\/comments\/?lang=en&post=5654"}],"version-history":[{"count":7,"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/7\/wp-json\/wp\/v2\/pages\/5654\/revisions\/?lang=en"}],"predecessor-version":[{"id":6374,"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/7\/wp-json\/wp\/v2\/pages\/5654\/revisions\/6374\/?lang=en"}],"wp:attachment":[{"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/7\/wp-json\/wp\/v2\/media\/?lang=en&parent=5654"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}