{"id":1962,"date":"2021-03-13T17:19:03","date_gmt":"2021-03-13T20:19:03","guid":{"rendered":"http:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/pikadilli\/"},"modified":"2021-04-12T12:06:44","modified_gmt":"2021-04-12T15:06:44","slug":"pikadilli","status":"publish","type":"portfolio","link":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/pikadilli\/?lang=en","title":{"rendered":"Pikadilli"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" width=\"1200\" height=\"932\" src=\"http:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-content\/uploads\/sites\/2\/2021\/04\/pikadili-1.jpg\" alt=\"\" class=\"wp-image-3375\" srcset=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-content\/uploads\/sites\/2\/2021\/04\/pikadili-1.jpg 1200w, https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-content\/uploads\/sites\/2\/2021\/04\/pikadili-1-300x233.jpg 300w, https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-content\/uploads\/sites\/2\/2021\/04\/pikadili-1-1024x795.jpg 1024w, https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-content\/uploads\/sites\/2\/2021\/04\/pikadili-1-768x596.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption>Image of the button collection from the initial haberdashery shop in which Pikadilli was hosted that was retained in the space, 2017.<\/figcaption><\/figure>\n\n\n\n<h2>Pikadilli, Famagusta<\/h2>\n\n\n\n<p>\u201cPikadilli was an open-space for open-minds, for creatives, educators, groups, and gatherings of all kinds set up in 2016. It was whatever you wanted to make of it.\u201d This was Nurtane Karagil\u2019s intention, a shop space left to her by great aunt who could no longer run it as a haberdashery. Originally, so much more than just a shop, it was also a social space.<\/p>\n\n\n\n<p>In 2018 the open-space came to a close reclaimed by family members who wanted to make money off of it as a kebab shop (which has yet to be realized). Many of the Pikadillians, primarily Karagil and her best friend and colleague Dr. Aycan Garip, felt like they had lost a family member or a home to a devastating accident. Here is how Garip expressed their vision for Pikadilli and what it could mean to the community members who needed it:<\/p>\n\n\n\n<p>\u201cIt\u2019s like Picadilly Circus in here\u201d&nbsp;&nbsp; \u201cCyprus is so boring. There is nothing going on!\u201d<\/p>\n\n\n\n<p>If you\u2019ve even been to Piccadilly Circus in London, you\u2019ll know about the craze, the commotion and the colorful mix of people roaming the streets night and day. Pikadilli inhabits the hustle and bustle as well as the many characters that make Piccadilly Circus a magnet for creatives. As a haberdashery, Pikadilli made a name for itself in Famagusta as a social hub, as well as a place to find anything from acorns to zippers.<\/p>\n\n\n\n<p>\u201cIn 2016, Pikadilli was revived as a free-space (free as in freedom, not as in we don\u2019t need to pay bills). Similar spaces have gained global popularity as locations dedicated to creativity, knowledge, discussion, community service, civic innovation, alternative learning methods, and meeting new people. Although no longer a haberdashery, the button-souvenirs remind new comers that Pikadilli is still a building block providing the tools to weave and stitch to create something greater than itself.\u201d<\/p>\n\n\n\n<p>Nurtane Karagil and Aycan Garip took charge of the logistics and administrative work required to run Pikadilli, however, everyone entering its doors was responsible for Pikadilli, meaning that each person was responsible for their actions, words, and themselves. A list of ground rules helped ensure that everyone walking into Pikadilli felt safe, respected, and had equal opportunity to use the facilities. After all, this space was one where everyone could feel like they belonged.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"http:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-content\/uploads\/sites\/2\/2021\/03\/1-1-1.jpg\"><img loading=\"lazy\" width=\"960\" height=\"720\" src=\"http:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-content\/uploads\/sites\/2\/2021\/03\/1-1-1.jpg\" alt=\"\" class=\"wp-image-526\" srcset=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-content\/uploads\/sites\/2\/2021\/03\/1-1-1.jpg 960w, https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-content\/uploads\/sites\/2\/2021\/03\/1-1-1-300x225.jpg 300w, https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-content\/uploads\/sites\/2\/2021\/03\/1-1-1-768x576.jpg 768w, https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-content\/uploads\/sites\/2\/2021\/03\/1-1-1-200x150.jpg 200w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/><\/a><figcaption>From a morning of presentations carried out in the context of Famagusta White Nights project by Rooftop and EMAA, hosted at Pikadilli, 2018.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-content\/uploads\/sites\/2\/2021\/03\/2-6.jpg\"><img loading=\"lazy\" width=\"768\" height=\"1024\" src=\"http:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-content\/uploads\/sites\/2\/2021\/03\/2-6-768x1024.jpg\" alt=\"\" class=\"wp-image-528\" srcset=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-content\/uploads\/sites\/2\/2021\/03\/2-6-768x1024.jpg 768w, https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-content\/uploads\/sites\/2\/2021\/03\/2-6-225x300.jpg 225w, https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-content\/uploads\/sites\/2\/2021\/03\/2-6-1152x1536.jpg 1152w, https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-content\/uploads\/sites\/2\/2021\/03\/2-6.jpg 1200w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><\/a><figcaption>Pikadillians at the front of the space, 2017.<\/figcaption><\/figure>\n\n\n\n<p>For more please visit Pikadilli\u2019s Facebook Link: <a href=\"https:\/\/www.facebook.com\/pikadilli10b\/\">https:\/\/www.facebook.com\/pikadilli10b\/<\/a><\/p>\n\n\n\n<p><strong><em>Activity Links:<\/em><\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=RdYfSfnjhDc&amp;fbclid=IwAR0wKguQmfQXdACHoGieaF0XedY6fRi3Fc43ytV5n9to0cY-qJlmnbWPHwc\">1. Atay \u201cLose Me\u201d shot at Pikadillli<\/a> \u2013 directed by Aycan Garip, Costumes and Set design: Nurtane Karagil Budget: Free<\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=Oa7OcI9tppg\">2. Bunfyah \u201cFreedom Fighter\u201d<\/a> &#8211; directed and written by Aycan Garip, Headquartesrs: Pikadilli<\/p>\n\n\n\n<p>3. <a href=\"https:\/\/www.facebook.com\/watch\/?v=1180844865380682\">Halloween Movie Night at Pikadilli<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.facebook.com\/pikadilli10b\/videos\/1466299253501907\/?acontext=%7B%22source%22%3A1%2C%22action_history%22%3A%22%5B%7B%5C%22surface%5C%22%3A%5C%22permalink%5C%22%2C%5C%22mechanism%5C%22%3A%5C%22surface%5C%22%2C%5C%22extra_data%5C%22%3A%5B%5D%7D%5D%22%7D&amp;active_tab=discussion\">4. Pikadilli: FUNeral<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.facebook.com\/pikadilli10b\/videos\/1187204584744710\/\">5. Sunday Breakfast- Second Hand Bazaar \u2013 DJ \u2013 Bar<\/a><\/p>\n\n\n\n<p>6. \u201cAll Debord: Insert Catchy Slogan Here\u201d Happening<\/p>\n\n\n\n<p><a href=\"https:\/\/www.facebook.com\/events\/1658172001142109\/\">https:\/\/www.facebook.com\/events\/1658172001142109\/<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.facebook.com\/events\/1658172001142109\/?active_tab=discussion\">https:\/\/www.facebook.com\/events\/1658172001142109\/?active_tab=discussion<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pikadilli, Famagusta \u201cPikadilli was an open-space for open-minds, for creatives, educators, groups, and gatherings of all kinds set up in 2016. It was whatever you wanted to make of it.\u201d [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":[],"portfolio-tags":[],"portfolio-category":[62],"_links":{"self":[{"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/portfolio\/1962\/?lang=en"}],"collection":[{"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/portfolio\/?lang=en"}],"about":[{"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/types\/portfolio\/?lang=en"}],"author":[{"embeddable":true,"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/users\/1\/?lang=en"}],"replies":[{"embeddable":true,"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/comments\/?lang=en&post=1962"}],"wp:attachment":[{"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/media\/?lang=en&parent=1962"}],"wp:term":[{"taxonomy":"portfolio-tags","embeddable":true,"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/portfolio-tags\/?lang=en&post=1962"},{"taxonomy":"portfolio-category","embeddable":true,"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/portfolio-category\/?lang=en&post=1962"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}