{"id":90,"date":"2021-03-09T14:38:10","date_gmt":"2021-03-09T17:38:10","guid":{"rendered":"http:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/?page_id=90"},"modified":"2021-03-26T17:33:45","modified_gmt":"2021-03-26T20:33:45","slug":"conversando-atraves-da-zona-tampao-cipriota","status":"publish","type":"page","link":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/conversando-atraves-da-zona-tampao-cipriota\/","title":{"rendered":"Conversando atrav\u00e9s da Zona Tamp\u00e3o cipriota: tornando vis\u00edvel o invis\u00edvel"},"content":{"rendered":"\n<h2>Conversando atrav\u00e9s da Zona Tamp\u00e3o cipriota: tornando vis\u00edvel o invis\u00edvel<\/h2>\n\n\n\n\t\t<!-- Gallery with PrettyPhoto plugin -->\n\t\t<div class=\"row assorted\">\t\t\t\t\n\n\t\t\t \t\t\t<div class=\"six mobile-two columns mobile-fullwidth\">\t\n\t\t\t <div class=\"row\">\n\t\t\t\t<div class=\"twelve columns\">\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<h3 class=\"post_title\"><a href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/esra-plumer-bardak-evanthia-tselika\/\">Editorial<\/a><\/h3>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t<!-- Portfolio post-thumb gallery -->\n\t\t\t\t\t\t<div class=\"portfolio_thumb\"><a title=\"Editorial\" href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/esra-plumer-bardak-evanthia-tselika\/\" class=\"custom-port\"><img src=\"http:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-content\/uploads\/sites\/2\/2021\/03\/cover-editorial-1-330x220.jpg\"  title=\"Editorial\"\/><\/a><\/div>\n\t\t\t\t\t<!-- END Portfolio post-thumb gallery -->\n\n\t\t\t\t\t <!--BEGIN excerpt content -->\n\t\t\t\t\t \t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\n\t\t\t\t\t <!--END excerpt content -->\n\n\t\t\t\t\t<a href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/esra-plumer-bardak-evanthia-tselika\/\"  class=\"more-link\">Conversando atrav\u00e9s da Zona Tamp\u00e3o cipriota: tornando vis\u00edvel o invis\u00edvel<br><span class=\"autor_portfolio\">Evanthia Tselika e Esra Plumer<\/span><\/a>\n\t\t\t\t  <\/div>\n\t\t\t\t <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"six mobile-two columns mobile-fullwidth\">\t\n\t\t\t <div class=\"row\">\n\t\t\t\t<div class=\"twelve columns\">\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<h3 class=\"post_title\"><a href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/mapa-de-praticas\/\">Mapeamento da arte socialmente situada: indo al\u00e9m da Zona Tamp\u00e3o<\/a><\/h3>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t<!-- Portfolio post-thumb gallery -->\n\t\t\t\t\t\t<div class=\"portfolio_thumb\"><a title=\"Mapeamento da arte socialmente situada: indo al\u00e9m da Zona Tamp\u00e3o\" href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/mapa-de-praticas\/\" class=\"custom-port\"><img src=\"http:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-content\/uploads\/sites\/2\/2021\/03\/cover-mapping-330x220.jpg\"  title=\"Mapeamento da arte socialmente situada: indo al\u00e9m da Zona Tamp\u00e3o\"\/><\/a><\/div>\n\t\t\t\t\t<!-- END Portfolio post-thumb gallery -->\n\n\t\t\t\t\t <!--BEGIN excerpt content -->\n\t\t\t\t\t \t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\n\t\t\t\t\t <!--END excerpt content -->\n\n\t\t\t\t\t<a href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/mapa-de-praticas\/\"  class=\"more-link\">Mapeamento da arte socialmente situada: indo al\u00e9m da Zona Tamp\u00e3o<br><span class=\"autor_portfolio\">Organiza\u00e7\u00f5es independentes e coletivos<\/span><\/a>\n\t\t\t\t  <\/div>\n\t\t\t\t <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"six mobile-two columns mobile-fullwidth\">\t\n\t\t\t <div class=\"row\">\n\t\t\t\t<div class=\"twelve columns\">\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<h3 class=\"post_title\"><a href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/artistas-e-activismo\/\">Artistas e Ativismo: H\u00fcseyin \u00d6zinal e Twenty Three<\/a><\/h3>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t<!-- Portfolio post-thumb gallery -->\n\t\t\t\t\t\t<div class=\"portfolio_thumb\"><a title=\"Artistas e Ativismo: H\u00fcseyin \u00d6zinal e Twenty Three\" href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/artistas-e-activismo\/\" class=\"custom-port\"><img src=\"http:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-content\/uploads\/sites\/2\/2021\/03\/COVER-1-330x220.jpg\"  title=\"Artistas e Ativismo: H\u00fcseyin \u00d6zinal e Twenty Three\"\/><\/a><\/div>\n\t\t\t\t\t<!-- END Portfolio post-thumb gallery -->\n\n\t\t\t\t\t <!--BEGIN excerpt content -->\n\t\t\t\t\t \t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\n\t\t\t\t\t <!--END excerpt content -->\n\n\t\t\t\t\t<a href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/artistas-e-activismo\/\"  class=\"more-link\">Artistas e Ativismo<br><span class=\"autor_portfolio\">H\u00fcseyin \u00d6zinal e Twenty Three<\/span><\/a>\n\t\t\t\t  <\/div>\n\t\t\t\t <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"six mobile-two columns mobile-fullwidth\">\t\n\t\t\t <div class=\"row\">\n\t\t\t\t<div class=\"twelve columns\">\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<h3 class=\"post_title\"><a href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/alev-adil\/\">An Architecture of Forgetting: Journeys in the Dead Zone<\/a><\/h3>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t<!-- Portfolio post-thumb gallery -->\n\t\t\t\t\t\t<div class=\"portfolio_thumb\"><a title=\"An Architecture of Forgetting: Journeys in the Dead Zone\" href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/alev-adil\/\" class=\"custom-port\"><img src=\"http:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-content\/uploads\/sites\/2\/2021\/03\/Alev-Cover-2-330x220.jpg\"  title=\"An Architecture of Forgetting: Journeys in the Dead Zone\"\/><\/a><\/div>\n\t\t\t\t\t<!-- END Portfolio post-thumb gallery -->\n\n\t\t\t\t\t <!--BEGIN excerpt content -->\n\t\t\t\t\t \t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\n\t\t\t\t\t <!--END excerpt content -->\n\n\t\t\t\t\t<a href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/alev-adil\/\"  class=\"more-link\">An Architecture of Forgetting: Journeys in the Dead Zone<br><span class=\"autor_portfolio\">Alev Adil<\/span><\/a>\n\t\t\t\t  <\/div>\n\t\t\t\t <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\n\t  <\/div> <!-- end row assorted -->\t\n\t<!-- End Gallery with PrettyPhoto plugin -->\n\n\n\t\n","protected":false},"excerpt":{"rendered":"<p>Conversando atrav\u00e9s da Zona Tamp\u00e3o cipriota: tornando vis\u00edvel o invis\u00edvel<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/pages\/90"}],"collection":[{"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/comments?post=90"}],"version-history":[{"count":8,"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/pages\/90\/revisions"}],"predecessor-version":[{"id":2851,"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/pages\/90\/revisions\/2851"}],"wp:attachment":[{"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/media?parent=90"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}