{"id":2846,"date":"2021-03-22T12:20:59","date_gmt":"2021-03-22T15:20:59","guid":{"rendered":"http:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/agradecimentos-creditos\/"},"modified":"2025-10-03T20:03:43","modified_gmt":"2025-10-03T23:03:43","slug":"agradecimentos-creditos","status":"publish","type":"page","link":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/agradecimentos-creditos\/?lang=en","title":{"rendered":"Acknowledgments & Credits"},"content":{"rendered":"\n
\"\"
Secret Garden, Achill Island, Ireland, 2017. Photo: Jessica Gogan.<\/figcaption><\/figure>\n\n\n\n

Acknowledgments & Credits<\/h2>\n\n\n\n

Acknowledgments<\/h3>\n\n\n\n

A heartfelt thank you to all contributors, this magazine would not have been possible without their continued collaboration and commitment. Each contribution is the result of multiple conversations and exchanges, many occurring over several years, reinforcing the importance of another capital – of time, affection, and dedication \u2013, a priceless energy for which we are deeply grateful.<\/p>\n\n\n\n

To authors and contributor<\/strong>s<\/strong><\/h3>\n\n\n\n

Brazil:<\/strong> Angela Mascelani, Anita Sobar, Cintya Ferreira, Cristina Seixas, Daniela Name, Diana Kolker, Diego Zelota, Dudu, Fabio Tremonte, Gabriel de Souza Vieira, Gabriela Bandeira, Gaby, Izabela Pucu, Izadora, Jeff Medeiros, Jessica Barbosa, Joyce Maravilha, Joana Mazza, Julio Verztman, Karina, Kaylane Rodrigues, Kaylanne, K\u00eania Maia, Larissa, Laura Lima, Leandro Almeida, L\u00edvia Moura, Luiz Guilherme Barbosa, Madalena Vaz Pinto, Maria Clara Zameii, Maria Clara Carrielo, Maria Ign\u00eas Albuquerque, Mariana de Lima Silva, Mauricio Dias, Pedro S\u00e1 Morais, Priscilla Grimberg, Raquel Danielli Mota, Renata Bazilia, Renata Targino, Sandro Rodrigues, Tania Kolker, Thais, Thiago Haule e Walter Riedweg.<\/p>\n\n\n\n

Cyprus:<\/strong> <\/strong>Alev Adil, Chyrstalleni Loizidou, H\u00fcseyin \u00d6zinal and Twenty Three. In particular the co-editors of the case study Esra Plumer and Evanthia Tselika \u201cTalking across the Cypriot Buffer Zone: Making the Invisible Visible.\u201d AA_U, EMAA, Free School, Hands on Famagusta, NeME, Pikadilli, ReAfrodite, Rooftop Theatre Group, Sidestreet Culture, Studio 21, Urban Gorillas, Visual Voices e Xarkis.<\/p>\n\n\n\n

Ireland:<\/strong> <\/strong>Anne Mulhall, Bernie Masterson, Doutsje Nouta, Reverend Val Rodgers, Seamus McGuinness, Vukasin Nedeljkovic and Willem Van Goor. In particular Helen O\u2019Donoghue co-editor of the case study \u201cUnveiling the Hidden: Socially Engaged Art Practice in Ireland\u201d<\/p>\n\n\n\n

Scotland:<\/strong> Caroline Gausden<\/p>\n\n\n\n

Chile:<\/strong> Jos\u00e9 Santos Herceg and Maria Carolina Pizarro Cortes<\/p>\n\n\n\n

France:<\/strong> Sandrine Teixido<\/p>\n\n\n\n

Mexico<\/strong>: Mayra Martell<\/p>\n\n\n\n

Institutions and organizations:<\/strong><\/h3>\n\n\n\n

All the collaborators of the community organization Casa Museu Rancho Verde, in particular to the coordinators Maria Ign\u00eas Albuquerque and Priscila Grimberg and the mutual affections built over many years.<\/p>\n\n\n\n

Glasgow Women\u2019s Library and the participation of Caroline Gausden and to University of St. Andrews, Scoltand via a research stipend, generously offered by Caroline, supporting the translation of Caroline\u2019s article into Portuguese.<\/p>\n\n\n\n

The Irish Embassy in Brazil \u2013 for their translation support of texts into Portuguese \u2013, in particular Declan Heery and Mr. Ambassador Se\u00e1n Hoy.<\/p>\n\n\n\n

Rede Unida [Collective Health Network] \u2013 for supporting the translation of the text by Seamus McGuiness and for transmitting the release \u2013, in particular T\u00falio Franco and Daniel Bastos.<\/p>\n\n\n\n

Meta Tradu\u00e7\u00e3o Simult\u00e2nea (MTS) for their collaboration in the simultaneous translation of the live launch of and the interpreters in training Adriana Ferreira Heery, Patr\u00edcia Finelli, Gra\u00e7a Pinheiro, Anahi Soares e Silva and teachers Raquel Ilha and Otto Mendon\u00e7a.<\/p>\n\n\n\n

The Institute for Advanced Studies (IDEA) of the University of Santiago de Chile through the participation of Jos\u00e9 Santos Herceg and Maria Carolina Pizarro Cortes and their research project entitled Tortura: concepto y experiencia<\/em> (Fondecyt 1180001, 2018-20), which supported the translation of their articles into Portuguese and English.<\/p>\n\n\n\n

The Programa de P\u00f3s-Gradua\u00e7\u00e3o em Estudos Contempor\u00e2neas das Artes da Universidade Federal Fluminense [Graduate Program in Contemporary Studies of the Arts] at Universidade Federal Fluminense (UFF) through the collaboration of students and alumni of the program: Gabriela Bandeira, L\u00edvia Moura, Leo Alves, Jeff Medeiros and Anita Sobar; and the participation of professors Jorge Vasconcellos, Luiz S\u00e9rgio Oliveira and Walmeri Ribeiro in the launch live programs. In particular, Tania Rivera, with whom co-editor Jessica Gogan is working on postdoctoral research supporting by a PNPD \/ CAPES grant.<\/p>\n\n\n\n

To Editorial and Production Staff and Support<\/h3>\n\n\n\n

Thais Miranda for the impeccable translation of texts from English to Portuguese.<\/p>\n\n\n\n

Rafael Zacca for the accurate and precious Portuguese copy editing.<\/p>\n\n\n\n

For the digital production of Criamente and dedication of Eric Saboya.<\/p>\n\n\n\n

Caroline Bellomo and Marianna Kutassy for their production and organizational support<\/p>\n\n\n\n

Credits<\/h3>\n\n\n\n

6th edition editors<\/strong>
Jessica Gogan
Luiz Guilherme Vergara<\/p>\n\n\n\n

Editorial coordination<\/strong>
Jessica Gogan<\/p>\n\n\n\n

Executive production<\/strong>
Sabrina Curi<\/p>\n\n\n\n

Site design<\/strong>
Monocromo
Criamente (6th issue)<\/p>\n\n\n\n

MESA Visual Identity<\/strong>
Dupla Design<\/p>\n\n\n\n

Communication assistant<\/strong>
Caroline Bellomo<\/p>\n\n\n\n

Copy Editing<\/strong>
Rafael Zacca (Portuguese)<\/p>\n\n\n\n

Translation<\/strong>
(English – Portuguese) Thais Miranda
(Portuguese – English) Jessica Gogan
(Spanish \u2013 Portuguese)
– Thais Miranda (Jos\u00e9 Santos Herceg\u2019s article)
– Mila Araujo (Carolina Pizarro Cortes article)
(Spanish \u2013 English)
– Diego Cabezas (Jos\u00e9 Santos Herceg\u2019s article)
– Carolina Pizarro Cortes (Carolina Pizarro Cortes\u2019s article)<\/p>\n\n\n\n

Transcription<\/strong>
Alexandre Sandeville (Interview – Maur\u00edcio Dias and Walter Riedweg)<\/p>\n\n\n\n

Launch Program \u2013 Lives<\/strong><\/h3>\n\n\n\n

Coordination
<\/em>Luiz Guilherme Vergara e Jessica Gogan<\/p>\n\n\n\n

Organization\/Production<\/em>
Marianna Kutassy<\/p>\n\n\n\n

Production assistant<\/em>
Caroline Bellomo<\/p>\n\n\n\n

Technical assistance
<\/em>Lucas Rodrigues<\/p>\n\n\n\n

Designer
<\/em>Alexandre Sandeville<\/p>\n\n\n\n

Colaborators
<\/em>Rede Unida
Embaixada da Irlanda no Brasil
Meta Tradu\u00e7\u00e3o Simult\u00e2nea (Adriana Ferreira Heery, Patr\u00edcia Finelli, Gra\u00e7a Pinheiro, Anahi Soares e Silva, Raquel Ilha e Otto Mendon\u00e7a)<\/p>\n\n\n\n

Made possible by<\/strong>
Instituto MESA<\/p>\n\n\n\n

Sponsorship<\/strong>
Call for Prize Emergency Call n\u00ba1 \/ 2020 – “Retomada Cultural RJ”
Federal Government, State Government of Rio de Janeiro, State Secretary of Culture and Creative Economy of Rio de Janeiro through the Aldir Blanc Law.<\/p>\n\n\n\n

ISSN: 2319-0264<\/p>\n\n\n\n

Cover Images<\/strong><\/strong><\/p>\n\n\n\n

Casa Museu Rancho Verde. Photo: Leandro Almeida
Ulisses Pereira Chaves (Jequitinhonha Valley, Minas Gerais) Untitled<\/em>, 1970s. Photo: Lucas Van de Beuque, Pontal Museum Collection
Jeff Medeiros. Sustento<\/em>, 2020. Trowel.
Seamus McGuinness. 21g<\/em>, installation, 2003. Photo: Marcus Conunahan
Twenty Three – Fights in \u0391l\u00e1sia. Katydata Village Windcraft Festival 2019.
Memorial honoring the missing of the Chilean dictatorship (Museo de la Memoria, Chile). Photo: Aton Agency.
\u201cDestempos\u201d. Installation photo at the entrance of the exhibition. Photo: Tania Kolker
Dias and Riedweg, Corpo Santo<\/em>, 2012. Frame.<\/p>\n\n\n\n

Mini bios editorial and production<\/h3>\n\n\n\n

Jessica Gogan<\/strong> is a curator, researcher, educator and director of Instituto MESA in Rio de Janeiro and coordinating editor of Revista MESA<\/em>. She holds a doctorate in art history from the University of Pittsburgh, USA(2016). Her research explores the interfaces between art and society with a focus on the intersections of artistic, clinical, and pedagogical practices and models of non-exhibition based collaborative and collective work. She was director of education and curator of special projects at the Andy Warhol Museum (USA) and is currently a collaborating professor in the Graduate Program in Contemporary Studies of the Arts at Universidade Federal Fluminense where she is also a PNPD \/ CAPES postdoctoral fellow.<\/p>\n\n\n\n

Luiz Guilherme Vergara.<\/strong> Prof. PhD. Associate professor in the Department of Art of Universidade Federal Fluminense (UFF). Coordinator of the Undergraduate art program and professor in the Graduate Program in Contemporary Studies of the Arts. He coordinates the research group: Contemporary Interflows – Art and Society – CNPq, exploring curatorial and contemporary practices embracing transdisciplinary, environmental, social and pedagogical artistic processes. Curator \/ director of the Museum of Contemporary Art of Niter\u00f3i (MAC) from 2005-2008 and 2013-2016. He is co-founder of Instituto MESA and co-editor of Revista MESA<\/em>.<\/p>\n\n\n\n

Sabrina Curi.<\/strong> Co-founder and general coordinator of Instituto MESA. Graduated in Cultural Production at Universidade Federal Fluminense (2002). Development Director at the Museum of Contemporary Art of Niter\u00f3i (2013-2017) and cultural producer, she is production coordinator for Revista MESA and of the publications: Flipping\/ Revisiting Pop<\/em> (2019) and Domingos da Cria\u00e7\u00e3o: a poetic collection of the experimental in art and education<\/em> (2017) and the seminar and project, International Seminar Flipping \/Revisiting Pop (2017 \/ MAM-SP), and the Art Care project (2016- 2017). She also was production coordinator for the Experimental Nucleus of Education and Art of MAM-RJ (2009-2013), educational program for the exhibition H\u00e9lio Oiticica – \u201cMuseum is the World<\/em>\u201d (Pa\u00e7o Imperial \/ Casa Fran\u00e7a Brasil, 2010) and the project O Sentido do P\u00fablico na Arte (Publicness in Art) (2013-2014 Funarte Award).<\/p>\n\n\n\n

Comunica\u00e7\u00e3o<\/h3>\n\n\n\n

Caroline Bellomo. <\/strong>Cultural Producer graduated from Universidade Federal Fluminense, she obtained experiences in the fields of arts, museums and relationships. Was part of the team at the Museu de Arte Contempor\u00e2nea de Niter\u00f3i as a production of activities and exhibitions assistant, worked with Instituto MESA as a production and research assistant and was an institutional relations assistant at the Museu de Arte do Rio for 3 years with a focus on sponsorship and partnerships.<\/p>\n\n\n\n

Copy editing<\/strong><\/h3>\n\n\n\n

Rafael Zacca<\/strong> is a poet and critic and prrofessor in the philosophy department at PUC-Rio. He published O menor amor do mundo <\/em>(7Letras, 2020), A estreita art\u00e9ria das coisas <\/em>(Garupa, 2018) and Mini Marx<\/em> (7Letras, 2016), also published in Argentina by Grumo. He is the co-author of the Almanac rebolado<\/em>, written collaboratively by the Experimental Poetry Workshop. He collaborates with Jornal Rascunho and Revista Pesso<\/em>a. He is part of the coletivo oficina mat\u00e9ria-prima (collective raw material workshop) co-authors of the book Ant\u00edgona morreu ent\u00e3o eu preciso falar com voc\u00ea<\/em>. He also teaches poetry workshops at 7Letras publishing house.<\/p>\n\n\n\n

Translation<\/h3>\n\n\n\n

Thais Miranda<\/strong> is a translates English, French and Spanish into Portuguese, her mother tongue. She holds a law degree from PUC-Rio and a postgraduate degree in translation from the same university. Currently, she is a student in the post-graduate course in Interpretation at PUC-Rio and in the Masters in Terminology at Universitat Pompeu Fabra.<\/p>\n\n\n\n

Copyright<\/h3>\n\n\n\n

The content of the articles is the sole responsibility of the authors. Reproduction, total or partial, without prior authorization is prohibited. All rights reserved to the authors.<\/p>\n\n\n\n

Copying or reproduction, in whole or in part, of images and videos is prohibited without prior authorization from the authors.<\/p>\n","protected":false},"excerpt":{"rendered":"

Acknowledgments & Credits Acknowledgments A heartfelt thank you to all contributors, this magazine would not have been possible without their continued collaboration and commitment. Each contribution is the result of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/pages\/2846\/?lang=en"}],"collection":[{"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/pages\/?lang=en"}],"about":[{"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/types\/page\/?lang=en"}],"author":[{"embeddable":true,"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/users\/1\/?lang=en"}],"replies":[{"embeddable":true,"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/comments\/?lang=en&post=2846"}],"version-history":[{"count":15,"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/pages\/2846\/revisions\/?lang=en"}],"predecessor-version":[{"id":3791,"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/pages\/2846\/revisions\/3791\/?lang=en"}],"wp:attachment":[{"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/media\/?lang=en&parent=2846"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}