{"id":2781,"date":"2021-03-09T14:38:10","date_gmt":"2021-03-09T17:38:10","guid":{"rendered":"http:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/conversando-atraves-da-zona-tampao-cipriota\/"},"modified":"2021-03-26T17:35:12","modified_gmt":"2021-03-26T20:35:12","slug":"conversando-atraves-da-zona-tampao-cipriota","status":"publish","type":"page","link":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/conversando-atraves-da-zona-tampao-cipriota\/?lang=en","title":{"rendered":"Talking Across the Cypriot Buffer Zone: Making the Invisible Visible"},"content":{"rendered":"\n<h2>Talking Across the Cypriot Buffer Zone: Making the Invisible Visible<\/h2>\n\n\n\n\t\t<!-- Gallery with PrettyPhoto plugin -->\n\t\t<div class=\"row assorted\">\t\t\t\t\n\n\t\t\t \t\t\t<div class=\"six mobile-two columns mobile-fullwidth\">\t\n\t\t\t <div class=\"row\">\n\t\t\t\t<div class=\"twelve columns\">\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<h3 class=\"post_title\"><a href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/esra-plumer-bardak-evanthia-tselika\/?lang=en\">Editorial<\/a><\/h3>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t<!-- Portfolio post-thumb gallery -->\n\t\t\t\t\t\t<div class=\"portfolio_thumb\"><a title=\"Editorial\" href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/esra-plumer-bardak-evanthia-tselika\/?lang=en\" class=\"custom-port\"><img src=\"http:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-content\/uploads\/sites\/2\/2021\/03\/cover-editorial-1-330x220.jpg\"  title=\"Editorial\"\/><\/a><\/div>\n\t\t\t\t\t<!-- END Portfolio post-thumb gallery -->\n\n\t\t\t\t\t <!--BEGIN excerpt content -->\n\t\t\t\t\t \t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\n\t\t\t\t\t <!--END excerpt content -->\n\n\t\t\t\t\t<a href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/esra-plumer-bardak-evanthia-tselika\/?lang=en\"  class=\"more-link\">Editorial<br><span class=\"autor_portfolio\">Evanthia Tselika e Esra Plumer<\/span><\/a>\n\t\t\t\t  <\/div>\n\t\t\t\t <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"six mobile-two columns mobile-fullwidth\">\t\n\t\t\t <div class=\"row\">\n\t\t\t\t<div class=\"twelve columns\">\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<h3 class=\"post_title\"><a href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/mapa-de-praticas\/?lang=en\">Mapping of Socially Situated Art: Working Beyond the Buffer Zone<\/a><\/h3>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t<!-- Portfolio post-thumb gallery -->\n\t\t\t\t\t\t<div class=\"portfolio_thumb\"><a title=\"Mapping of Socially Situated Art: Working Beyond the Buffer Zone\" href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/mapa-de-praticas\/?lang=en\" class=\"custom-port\"><img src=\"http:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-content\/uploads\/sites\/2\/2021\/03\/cover-mapping-330x220.jpg\"  title=\"Mapping of Socially Situated Art: Working Beyond the Buffer Zone\"\/><\/a><\/div>\n\t\t\t\t\t<!-- END Portfolio post-thumb gallery -->\n\n\t\t\t\t\t <!--BEGIN excerpt content -->\n\t\t\t\t\t \t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\n\t\t\t\t\t <!--END excerpt content -->\n\n\t\t\t\t\t<a href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/mapa-de-praticas\/?lang=en\"  class=\"more-link\">Mapping of Socially Situated Art: Working Beyond the Buffer Zone<br><span class=\"autor_portfolio\">Independent organisations and collectives<\/span><\/a>\n\t\t\t\t  <\/div>\n\t\t\t\t <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"six mobile-two columns mobile-fullwidth\">\t\n\t\t\t <div class=\"row\">\n\t\t\t\t<div class=\"twelve columns\">\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<h3 class=\"post_title\"><a href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/artistas-e-activismo\/?lang=en\">Artists and Activism<\/a><\/h3>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t<!-- Portfolio post-thumb gallery -->\n\t\t\t\t\t\t<div class=\"portfolio_thumb\"><a title=\"Artists and Activism\" href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/artistas-e-activismo\/?lang=en\" class=\"custom-port\"><img src=\"http:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-content\/uploads\/sites\/2\/2021\/03\/COVER-1-330x220.jpg\"  title=\"Artists and Activism\"\/><\/a><\/div>\n\t\t\t\t\t<!-- END Portfolio post-thumb gallery -->\n\n\t\t\t\t\t <!--BEGIN excerpt content -->\n\t\t\t\t\t \t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\n\t\t\t\t\t <!--END excerpt content -->\n\n\t\t\t\t\t<a href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/artistas-e-activismo\/?lang=en\"  class=\"more-link\">Artists and Activism<br><span class=\"autor_portfolio\">H\u00fcseyin \u00d6zinal and Twenty Three<\/span><\/a>\n\t\t\t\t  <\/div>\n\t\t\t\t <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"six mobile-two columns mobile-fullwidth\">\t\n\t\t\t <div class=\"row\">\n\t\t\t\t<div class=\"twelve columns\">\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<h3 class=\"post_title\"><a href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/alev-adil\/?lang=en\">An Architecture of Forgetting: Journeys in the Dead Zone<\/a><\/h3>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t<!-- Portfolio post-thumb gallery -->\n\t\t\t\t\t\t<div class=\"portfolio_thumb\"><a title=\"An Architecture of Forgetting: Journeys in the Dead Zone\" href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/alev-adil\/?lang=en\" class=\"custom-port\"><img src=\"http:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-content\/uploads\/sites\/2\/2021\/03\/Alev-Cover-2-330x220.jpg\"  title=\"An Architecture of Forgetting: Journeys in the Dead Zone\"\/><\/a><\/div>\n\t\t\t\t\t<!-- END Portfolio post-thumb gallery -->\n\n\t\t\t\t\t <!--BEGIN excerpt content -->\n\t\t\t\t\t \t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\n\t\t\t\t\t <!--END excerpt content -->\n\n\t\t\t\t\t<a href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/alev-adil\/?lang=en\"  class=\"more-link\">An Architecture of Forgetting: Journeys in the Dead Zone<br><span class=\"autor_portfolio\">Alev Adil<\/span><\/a>\n\t\t\t\t  <\/div>\n\t\t\t\t <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\n\t  <\/div> <!-- end row assorted -->\t\n\t<!-- End Gallery with PrettyPhoto plugin -->\n\n\n\t\n","protected":false},"excerpt":{"rendered":"<p>Talking Across the Cypriot Buffer Zone: Making the Invisible Visible<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/pages\/2781\/?lang=en"}],"collection":[{"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/pages\/?lang=en"}],"about":[{"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/types\/page\/?lang=en"}],"author":[{"embeddable":true,"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/users\/1\/?lang=en"}],"replies":[{"embeddable":true,"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/comments\/?lang=en&post=2781"}],"version-history":[{"count":4,"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/pages\/2781\/revisions\/?lang=en"}],"predecessor-version":[{"id":2853,"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/pages\/2781\/revisions\/2853\/?lang=en"}],"wp:attachment":[{"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/media\/?lang=en&parent=2781"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}