{"id":2776,"date":"2021-03-09T14:36:40","date_gmt":"2021-03-09T17:36:40","guid":{"rendered":"http:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/testemunho-como-pratica-poetica-resgates-das-vidas-sequestradas\/"},"modified":"2021-03-26T17:45:16","modified_gmt":"2021-03-26T20:45:16","slug":"testemunho-como-pratica-poetica-resgates-das-vidas-sequestradas","status":"publish","type":"page","link":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/testemunho-como-pratica-poetica-resgates-das-vidas-sequestradas\/?lang=en","title":{"rendered":"Witnessing as Poetic Practice: Recovering Hidden Lives"},"content":{"rendered":"\n<h2>Witnessing as Poetic Practice: Recovering Hidden Lives<\/h2>\n\n\n\t\t<!-- Gallery with PrettyPhoto plugin -->\n\t\t<div class=\"row assorted\">\t\t\t\t\n\n\t\t\t \t\t\t<div class=\"six mobile-two columns mobile-fullwidth\">\t\n\t\t\t <div class=\"row\">\n\t\t\t\t<div class=\"twelve columns\">\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<h3 class=\"post_title\"><a href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/anita-sobar-kenia-maia\/?lang=en\">Clandestine Becomings<\/a><\/h3>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t<!-- Portfolio post-thumb gallery -->\n\t\t\t\t\t\t<div class=\"portfolio_thumb\"><a title=\"Clandestine Becomings\" href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/anita-sobar-kenia-maia\/?lang=en\" class=\"custom-port\"><img src=\"http:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-content\/uploads\/sites\/2\/2021\/03\/Capa-Anita-330x220.jpg\"  title=\"Clandestine Becomings\"\/><\/a><\/div>\n\t\t\t\t\t<!-- END Portfolio post-thumb gallery -->\n\n\t\t\t\t\t <!--BEGIN excerpt content -->\n\t\t\t\t\t \t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\n\t\t\t\t\t <!--END excerpt content -->\n\n\t\t\t\t\t<a href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/anita-sobar-kenia-maia\/?lang=en\"  class=\"more-link\">Clandestine Becomings [Between Approximations and Deviations]<br><span class=\"autor_portfolio\">Anita Sobar in collaboration with Kenia Maia<\/span><\/a>\n\t\t\t\t  <\/div>\n\t\t\t\t <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"six mobile-two columns mobile-fullwidth\">\t\n\t\t\t <div class=\"row\">\n\t\t\t\t<div class=\"twelve columns\">\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<h3 class=\"post_title\"><a href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/fabio-tremonte\/?lang=en\">Public Reading of the Figueiredo Report<\/a><\/h3>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t<!-- Portfolio post-thumb gallery -->\n\t\t\t\t\t\t<div class=\"portfolio_thumb\"><a title=\"Public Reading of the Figueiredo Report\" href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/fabio-tremonte\/?lang=en\" class=\"custom-port\"><img src=\"http:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-content\/uploads\/sites\/2\/2021\/03\/capa_Relatorio_Figueiredo-330x220.jpg\"  title=\"Public Reading of the Figueiredo Report\"\/><\/a><\/div>\n\t\t\t\t\t<!-- END Portfolio post-thumb gallery -->\n\n\t\t\t\t\t <!--BEGIN excerpt content -->\n\t\t\t\t\t \t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\n\t\t\t\t\t <!--END excerpt content -->\n\n\t\t\t\t\t<a href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/fabio-tremonte\/?lang=en\"  class=\"more-link\">Public Reading of the Figueiredo Report<br><span class=\"autor_portfolio\">F\u00e1bio Tremonte<\/span><\/a>\n\t\t\t\t  <\/div>\n\t\t\t\t <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"six mobile-two columns mobile-fullwidth\">\t\n\t\t\t <div class=\"row\">\n\t\t\t\t<div class=\"twelve columns\">\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<h3 class=\"post_title\"><a href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/tania-kolker\/?lang=en\">Ethical-Aesthetic-Political Agency in Reparations for the Damage Caused by State Violence<\/a><\/h3>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t<!-- Portfolio post-thumb gallery -->\n\t\t\t\t\t\t<div class=\"portfolio_thumb\"><a title=\"Ethical-Aesthetic-Political Agency in Reparations for the Damage Caused by State Violence\" href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/tania-kolker\/?lang=en\" class=\"custom-port\"><img src=\"http:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-content\/uploads\/sites\/2\/2021\/03\/tania-330x220.jpg\"  title=\"Ethical-Aesthetic-Political Agency in Reparations for the Damage Caused by State Violence\"\/><\/a><\/div>\n\t\t\t\t\t<!-- END Portfolio post-thumb gallery -->\n\n\t\t\t\t\t <!--BEGIN excerpt content -->\n\t\t\t\t\t \t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\n\t\t\t\t\t <!--END excerpt content -->\n\n\t\t\t\t\t<a href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/tania-kolker\/?lang=en\"  class=\"more-link\">Ethical-Aesthetic-Political Agency in Reparations for the Damage Caused by State Violence <br><span class=\"autor_portfolio\">Tania Kolker<\/span><\/a>\n\t\t\t\t  <\/div>\n\t\t\t\t <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"six mobile-two columns mobile-fullwidth\">\t\n\t\t\t <div class=\"row\">\n\t\t\t\t<div class=\"twelve columns\">\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<h3 class=\"post_title\"><a href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/jessica-barbosa-pedro-sa-moraes-diana-kolker\/?lang=en\">In Search of Judite: A Dialogue between Jessica Barbosa, Pedro S\u00e1 Moraes and Diana Kolker<\/a><\/h3>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t<!-- Portfolio post-thumb gallery -->\n\t\t\t\t\t\t<div class=\"portfolio_thumb\"><a title=\"In Search of Judite: A Dialogue between Jessica Barbosa, Pedro S\u00e1 Moraes and Diana Kolker\" href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/jessica-barbosa-pedro-sa-moraes-diana-kolker\/?lang=en\" class=\"custom-port\"><img src=\"http:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-content\/uploads\/sites\/2\/2021\/03\/Capa_Judite_FIG-1-2-330x220.jpg\"  title=\"In Search of Judite: A Dialogue between Jessica Barbosa, Pedro S\u00e1 Moraes and Diana Kolker\"\/><\/a><\/div>\n\t\t\t\t\t<!-- END Portfolio post-thumb gallery -->\n\n\t\t\t\t\t <!--BEGIN excerpt content -->\n\t\t\t\t\t \t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\n\t\t\t\t\t <!--END excerpt content -->\n\n\t\t\t\t\t<a href=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/portfolio\/jessica-barbosa-pedro-sa-moraes-diana-kolker\/?lang=en\"  class=\"more-link\">In Search of Judith: A Dialogue between Jessica Barbosa, Pedro S\u00e1 Moraes and Diana Kolker<br><span class=\"autor_portfolio\">Jessica Barbosa, Pedro S\u00e1 Moraes and Diana Kolker<\/span><\/a>\n\t\t\t\t  <\/div>\n\t\t\t\t <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\n\t  <\/div> <!-- end row assorted -->\t\n\t<!-- End Gallery with PrettyPhoto plugin -->\n\n\n\t\n","protected":false},"excerpt":{"rendered":"<p>Witnessing as Poetic Practice: Recovering Hidden Lives<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/pages\/2776\/?lang=en"}],"collection":[{"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/pages\/?lang=en"}],"about":[{"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/types\/page\/?lang=en"}],"author":[{"embeddable":true,"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/users\/1\/?lang=en"}],"replies":[{"embeddable":true,"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/comments\/?lang=en&post=2776"}],"version-history":[{"count":4,"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/pages\/2776\/revisions\/?lang=en"}],"predecessor-version":[{"id":2857,"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/pages\/2776\/revisions\/2857\/?lang=en"}],"wp:attachment":[{"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/6\/wp-json\/wp\/v2\/media\/?lang=en&parent=2776"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}