{"id":855,"date":"2014-01-21T18:44:37","date_gmt":"2014-01-21T18:44:37","guid":{"rendered":"http:\/\/institutomesa.org\/revistamesa\/edicoes\/1\/?page_id=855"},"modified":"2015-03-24T16:19:37","modified_gmt":"2015-03-24T16:19:37","slug":"credits-acknowledgements","status":"publish","type":"page","link":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/1\/credits-acknowledgements\/?lang=en","title":{"rendered":"Credits &#038; Acknowledgements"},"content":{"rendered":"<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-709\" alt=\"Manifesta\u00e7\u00e3o na Mar\u00e9 02.06.2013_Foto de AF Rodrigues_104\" src=\"http:\/\/institutomesa.org\/revistamesa\/edicoes\/1\/wp-content\/uploads\/2013\/12\/Manifesta\u00e7\u00e3o-na-Mar\u00e9-02.06.2013_Foto-de-AF-Rodrigues_104.jpg\" width=\"600\" height=\"400\" srcset=\"https:\/\/institutomesa.org\/revistamesa\/edicoes\/1\/wp-content\/uploads\/2013\/12\/Manifesta\u00e7\u00e3o-na-Mar\u00e9-02.06.2013_Foto-de-AF-Rodrigues_104.jpg 600w, https:\/\/institutomesa.org\/revistamesa\/edicoes\/1\/wp-content\/uploads\/2013\/12\/Manifesta\u00e7\u00e3o-na-Mar\u00e9-02.06.2013_Foto-de-AF-Rodrigues_104-300x200.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><span class=\"legenda\"> AF Rodriguez\/Imagens do Povo, <em>Street Protest in Mar\u00e9<\/em>, 2013<br \/>\n <\/span><\/p>\n<p><span class=\"titulo\">Credits &amp; Acknowledgements<\/span><\/p>\n<p><b><i>Revista MESA<\/i><\/b><\/p>\n<p><b>Editors<\/b><br \/>\nJessica Gogan<br \/>\nLuiz Guilherme Vergara<\/p>\n<p><b>Coordinator<\/b><br \/>\nJessica Gogan<\/p>\n<p><b>Executive Producer<\/b><br \/>\nSabrina Curi<\/p>\n<p><b>Editorial Assistant<\/b><br \/>\nTaisa Moreno<\/p>\n<p><b>Site Design<\/b><br \/>\nMonocromo<\/p>\n<p><b>MESA Visual Identity<\/b><br \/>\nDupla design<\/p>\n<p><b>Press Officer<\/b><br \/>\nB\u00e1rbara Chataignier<br \/>\n<b><br \/>\n<i>1st Issue: Territories and Practices in Process<\/i><\/b><\/p>\n<p><b>Cover Images<br \/>\n<\/b>Jos\u00e9 Rufino. <i>Memorabilia <\/i>(polyptych), 2010. Acrylic ink silkscreens on old lined notepaper combining handwritten statements, impressions, poems, notes, documents, and forms collected from patients, caregivers, staff, and researchers affiliated with the University of Pittsburgh Alzheimer Disease Research Center. Prints are overlaid with monotype tempera and acrylic Rorschach-style inkblots created in partnership with the artist, several patients and their families and affiliated ADRC staff. Photo: Richard Stoner<\/p>\n<p>Documentation of the installation <i>TheAnimalSusPensiveOntheLandGenscape <\/i>by students in the photography course at Spectaculu \u2013 School of Art and Technology. Leopoldina station, Rio de Janeiro, September 26th, 2012. Photos: Kelly Malheiros. In partnership with Spectaculu.<\/p>\n<p>Leonardo Guelman. <i>The House of Miracles,<\/i> 2013<\/p>\n<p>Rat\u00e3o Diniz\/Imagens do Povo, 2009<\/p>\n<p><b>Editorial<\/b><br \/>\nJessica Gogan<br \/>\nLuiz Guilherme Vergara<\/p>\n<p><b><b>Think Piece<br \/>\n<\/b><\/b>Tania Rivera<br \/>\n\u201cArt in the World\u201d<\/p>\n<p><b><b>National Case Studies<\/b><\/b><\/p>\n<p><b><i>8<sup>th<\/sup> Mercosul Biennial<br \/>\n<\/i><\/b><\/p>\n<p><i>Essay<br \/>\n<\/i>Jessica Gogan and Luiz Guilherme Vergara<br \/>\n\u201cA Collection of Multiple Voices: The 8th Mercosul Biennial and Pedagogy in an Expanded Field\u201d<\/p>\n<p><i>Video<br \/>\n<\/i>\u201cA Collection of Multiple Voices: Encounters with the 8th Mercosul Biennial\u201d<\/p>\n<p>Camera<br \/>\nAndr\u00e9 de Oliveira<\/p>\n<p>Editing<br \/>\nLeandro Almeida<\/p>\n<p>Translation<br \/>\nCarolina Alfaro de Carvalho<\/p>\n<p><b><i>Encounters with Ernesto Neto\u2019s work <\/i><\/b><b>TheAnimalSusPensiveOntheLandGenscape<i>, 2012<\/i><\/b><\/p>\n<p><i>Introduction<\/i><br \/>\n\u201cCreatures made by us\u201d<\/p>\n<p><i>Essays<\/i><br \/>\nAnita Sobar<br \/>\n\u201cPearl Diver\u201d<\/p>\n<p>Bernardo Zabalaga<br \/>\n\u201cThe Body of an Encounter\u201d<\/p>\n<p>Bianca Bernardo<br \/>\n\u201cThe Body of Memories: Affective Bonds Stitched in the Time we are Together: Papel Pinel visita <i>oBichoSuspensoNaPaisaGe<\/i>n <i>TheAnimalSusPensiveOntheLandGenscape<\/i>\u201d<\/p>\n<p>Virg\u00ednia Kastrup<br \/>\n\u201cBecoming and Aesthetic Accessibility: A Guided Experience with the Blind and Seeing\u201d<\/p>\n<p><b>International Case Studies<\/b><\/p>\n<p><i><strong>Deveron Arts<\/strong><br \/>\n<\/i>Claudia Zeiske<br \/>\n\u201cThe Town is the Venue: Art, Community and Place\u201d<\/p>\n<p><b><i>Scottish Sculpture Workshop<br \/>\n<\/i><\/b>Nuno Sacramento<br \/>\n\u201cMakers\u2019 Meal and the Production of the New Common\u201d<\/p>\n<p><b>Article<br \/>\n<\/b>Jessica Gogan<br \/>\n\u201c<i>Curare<\/i>: Jos\u00e9 Rufino <i>Blots &amp; Figments<\/i>\u201d<\/p>\n<p><b>Photo Essay<\/b><br \/>\nLeonardo Guelman<br \/>\n\u201cThe Unique World of the House of Miracles\u201d<\/p>\n<p><b>V\u00eddeo Interview<\/b><br \/>\n\u201cThe Authentic New Carioca\u201d with Jailson de Souza e Silva<\/p>\n<p><i>Photography: Imagens do Povo<br \/>\n<\/i>AF Rodrigues<br \/>\nBira Carvalho<br \/>\nElis\u00e2ngela Leite<br \/>\nF\u00e1bio Caff\u00e9<br \/>\nFagner Fran\u00e7a<br \/>\nIngrid Cristina<br \/>\nJV Santos<br \/>\nL\u00e9o Lima<br \/>\nL\u00e9o Melo<br \/>\nM\u00e1rcia Farias<br \/>\nMonara Barreto<br \/>\nNaldinho Louren\u00e7o<br \/>\nNando Dias<br \/>\nPaulo Barros<br \/>\nRat\u00e3o Diniz<br \/>\nRovena Rosa<br \/>\nRosilene Miliotti<br \/>\nRubia Pella<br \/>\nThiago Diniz<br \/>\nVeri-vg<br \/>\nVitor Madeira<\/p>\n<p><i>Additional Photography<\/i><br \/>\nTravessias: Gabi Carrera and Janis Cl\u00e9men<br \/>\nMAC: Maria Ign\u00eas Guimar\u00e3es\u00a0and  Roberta Condeixa<br \/>\nMAM: Jessica Gogan and  Marta Mestre<\/p>\n<p><i>Camera and Editing<br \/>\n<\/i>Leandro Almeida<\/p>\n<p><i>Translation<\/i><br \/>\nCarolina Alfaro de Carvalho<\/p>\n<p><b>Copy Editing<\/b><br \/>\nItamar Rigueira Jr. (Portuguese)<br \/>\nSherrie Flick (English)<br \/>\nAdditional copy editing (Portuguese): Luiza Toschi <\/p>\n<p><b>Translation<\/b><br \/>\nJessica Gogan (Portuguese to English)<br \/>\nMarise Barros (English to Portuguese)<br \/>\nSteve Berg (English to Portuguese\/Jos\u00e9 Rufino article)<\/p>\n<p><b>Copyright<\/b><br \/>\nArticles are the full responsibility of the respective authors. No reproduction in full or in part is permitted without their permission. All rights reserved.<br \/>\nNo copying or reproduction of the images or videos here included in full or in part is allowed without author permission.<\/p>\n<p><b>Acknowledgements<\/b><br \/>\nAndr\u00e9 de Oliveira, Andr\u00e9 Dunham Maciel Siaines de Castro, Anita Sobar, Artist Image Resource, Ateli\u00ea Jos\u00e9 Rufino, Autom\u00e1tica, Bernardo Zabalaga, Bianca Bernardo, Caliban Books,\u00a0Carmen Riquelme, Centro Municipal de Arte H\u00e9lio Oiticica, Claudia Zeiske, Dupla design, Embaixada do Brasil em Washington D.C., Erika Tambke, Ernesto Neto, Gustavo Cruz Ferraz, Esther Marco Wenna, F\u00e1bio Caff\u00e9, Fred Evans, Heather White, Imagens do Povo, Instituto Benjamin Constant, Janis Cl\u00e9men, Jailson de Souza e Silva, Joana Mazza, John Schulman,\u00a0Jos\u00e9 Rufino, Leandro Almeida, Leonardo Guelman, Liane Strapazzon, Maria Ign\u00eas Guimar\u00e3es, Marta Mestre, M\u00f4nica Hoff, Pablo Heguera, Curatorial and Pedagogic teams of the 8th Mercosul Biennial and all involved in the project &#8220;A collection of multiple voices&#8221; (Alissa Gottfried, Alexia Tala, Andr\u00e9 da Rocha, Andr\u00e9 Vilmar Mers, Andr\u00e9a Paiva Nunes Andressa Argenta, Denis Fromer Nicola, Diana Kolker Carneiro da Cunha, Emanuel Silveira Alves, Ethiene Nachtigall, Fernanda Albuquerque, Fernanda Ott, Gabriel Bartz, Gabriela Silva, Greg Pierce,\u00a0Julia Coelho, Jos\u00e9 Roca, Liane Strapazzon, Luiza Mendon\u00e7a, Lucas Brolese, M\u00e1rcia Tomaseli, M\u00e1rcia Wander, Maria Aparecida Aliano Marques, Maria Helena Gaidzinski, Marilia Schmitt Fernandes, Marizangela Secco, Marlene Montagner, Mateo Lopez, Michele Zgiet, Oliver Kochta, Paula Cristina Luersen, Paula Krause, Rafael Silveira, Rodrigo Nunes, Roger Kichalowsky, Tatiana Rosa, Tiago Giora), Paulo Hauss, N\u00facleo de Pesquisa Cogni\u00e7\u00e3o &amp; Coletivos (NUCC)\/UFRJ, Nuno Sacramento, Observat\u00f3rio de Favelas, Papel Pinel, The Andy Warhol Museum (especially Abby Franzen Sheehan, Eric Shiner, Greg Burchard and Tresa Varner), Museu de Arte Moderna do Rio de Janeiro (MAM), Museu de Arte Contempor\u00e2nea de Niter\u00f3i (MAC), Rat\u00e3o Diniz, Renata Montechiare,\u00a0Robert Beckman, Roberta Condeixa, Spectaculu, Tania Rivera, Terence Smith, Thomas Sokolowski,\u00a0Universidade Federal Fluminense, University of Pittsburgh Alzheimer Disease Research Center (especially  Jennifer Lingler,\u00a0Judith Saxton,\u00a0Leslie Dunn, MaryAnn Oakley, Oscar Lopez\u00a0and Rick Morycz, patients and caregivers Donna and Lee Strawbridge and Nancy Stabryla\u00a0and all the team involved Beth Sarles, Lori Macedonia, Patty Henderson and Thomas Baumgartner),\u00a0Center for Bioethics and Health Law,\u00a0University of Pittsburgh Center for Latin American Studies\u00a0(especially  Kathleen DeWalt), Global Academic Partnership Initiative\u00a0sponsored by Office of the Provost, Global Studies Program, and University Center for International Studies, and School of Medicine (especially  Dr. Arthur S. Levine and Margaret McDonald), Virg\u00ednia Kastrup and Xico Chaves.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>AF Rodriguez\/Imagens do Povo, Street Protest in Mar\u00e9, 2013 Credits &amp; Acknowledgements Revista MESA Editors Jessica Gogan Luiz Guilherme Vergara Coordinator Jessica Gogan Executive Producer Sabrina Curi Editorial Assistant Taisa [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/1\/wp-json\/wp\/v2\/pages\/855"}],"collection":[{"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/1\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/1\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/1\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/1\/wp-json\/wp\/v2\/comments?post=855"}],"version-history":[{"count":0,"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/1\/wp-json\/wp\/v2\/pages\/855\/revisions"}],"wp:attachment":[{"href":"https:\/\/institutomesa.org\/revistamesa\/edicoes\/1\/wp-json\/wp\/v2\/media?parent=855"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}